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Infrastructure
I've been camping on the hottest days of this summer. We just got home and I've had a shower and am drying off in front of a fan.
I am so grateful for electricity and indoor plumbing.
Infrastructure is great.
There are ice cubes in this house! I'm lying on a bed that won't deflate under me!
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Castles, mountains and level crossings
( Castles, mountains, level crossings and wind )
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Foundation 3.01
( Spoilers are explaining the Three Laws of Robotics and the Zeroth Law )
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Murderbot fanvid rec: Bohemian Like You
I watched this like 4 times in a row. It definitely contain spoilers, but it's divorced enough from the actual plotline of the show that if you don't mind SOME spoilers and want to get an idea of what the show is like, this might be a nice one to watch. (Warning for some gore.)
On AO3
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Six crooked highways (by saraht) (G)
Rec Category: Alternate Universe - fork in the road
Characters: Teyla Emmagan, Evan Lorne, John Sheppard
Categories: Gen. John Sheppard & Teyla Emmagan
Words: 2012
Warnings: no AO3-type warnings apply
Author on DW:
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Author's Website: saraht on AO3, and more on DW
Link: Six crooked highways on DW
Why This Must Be Read: I'm a fan of post-Conversion bug!John stories and this is darker than most, but with a hopeful ending. In this, John is only partially restored by Carson's treatment, flees through the gate into Pegasus, and Teyla and Ronon have searched for him for months. Finally, on an off-world mission, Teyla, Ronon, and Lorne find a number of dead Wraith...
( Teyla and Lorne snippet )
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Murderbot fanficlet: Sanctuary Moon forum flame wars
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Click to view
Post-finale Gurathin, burdened with all these memories of Sanctuary Moon, still doesn't like the show but now can't resist getting into nitpicky arguments about it on futuristic forums, where he and Murderbot keep crossing paths and gradually realize who they're talking to and get very fond about it without admitting to anything.( 600 words or so of future fan forum shenanigans )
SGA/SG1: Five Joint Missions, Post-Retrograde by LtLJ
Characters/Pairings: Teyla Emmagan, Cam Mitchell, John Sheppard, Jack O'Neill, Ronon Dex, Daniel Jackson, Sam Carter, Miko Kusanagi, Rodney McKay, Teal'c
Rating: Gen
Length: 1505
Creator Links: LtLJ on AO3
Themes: Working together, Teams, Humor, Action/adventure
Summary: Five things that happen on missions where SG-1 and SGA-1 go through the gate together.
Reccer's Notes: A great example of the 5-things format - five dramatic, telling, and sometimes amusing times when members of the premium gate teams of Earth and Atlantis worked together. The last one's an absolute classic!
Fanwork Links: Five Joint Missions, Post-Retrograde on AO3
and I podficced it, here.
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The New School Reader: Fourth Book
A 1856 book on elocution. Opens with discussions of how to say things, and then offers many samples of eloquent prose and poetry to praise on -- and to have your character formed by, since, as he writes, they were chosen toward that important end.
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2525 / Fic - A Nice Indian Boy
A Nice Indian Boy | Jay/Naveen | ~1200 words
(Also on AO3)
( 'You know, someone with an unflinching gaze who sees all of me?' Jay photographs Naveen. )
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(no subject)
This is another one that's been on my list for years -- specifically, since I read Between Silk and Cyanide, as cryptography wunderkind Leo Marks chronicling the desperate heroism and impossible failures of the SOE is of course the son of the owner of Marks & Co., the bookstore featuring in 84, Charing Cross Road, because the whole of England contains approximately fifteen people tops.
84, Charing Cross Road collects the correspondence between jobbing writer Helene Hanff -- who started ordering various idiosyncratic books at Marks & Co. in 1949 -- and the various bookstore employees, primarily but not exclusively chief buyer Frank Doel. Not only does Hanff has strong and funny opinions about the books she wants to read and the editions she's being sent, she also spends much of the late forties and early fifties expressing her appreciation by sending parcels of rationed items to the store employees. A friendship develops, and the store employees enthusiastically invite Hanff to visit them in England, but there always seems to be something that comes up to prevent it. Hanff gets and loses jobs, and some of the staff move on. Rationing ends, and Hanff doesn't send so many parcels, but keeps buying books. Twenty years go by like this.
Since 84, Charing Cross Road was a bestseller in 1970 and subsequently multiply adapted to stage and screen, and Between Silk and Cyanide did not receive publication permission until 1998, I think most people familiar with these two books have read them in the reverse order that I did. I think it did make sort of a difference to feel the shadow of Between Silk and Cyanide hanging over this charming correspondence -- not for the worse, as an experience, just certain elements emphasized. Something about the strength and fragility of a letter or a telegram as a thread to connect people, and how much of a story it does and doesn't tell.
As a sidenote, in looking up specific publication dates I have also learned by way of Wikipedia that there is apparently a Chinese romcom about two people who both independently read 84, Charing Cross Road, decide that the book has ruined their lives for reasons that are obscure to me in the Wikipedia summary, write angry letters to the address 84 Charing Cross Road, and then get matchmade by the man who lives there now. Extremely funny and I kind of do want to watch it.
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Assortment
Walkouts, feuds and broken friendships: when book clubs go bad. I don't think I've ever been in a book club of this kind. Many years ago at My Place Of Work there used to be an informal monthly reading group which would discuss some work of relevance to the academic mission of the institution, very broadly defined, and that was quite congenial, and I am currently in an online group read-through and discussion of A Dance to the Music of Time, but both these have rather more focus perhaps? certainly I do not perceive that they have people turning up without having reading the actual books....
Mind you, I am given the ick, and this is I will concede My Garbage, by those Reading Group Suggestions that some books have at the end, or that were flashed up during an online book group discussion of a book in which I was interested.
Going to book groups without Doing The Reading perhaps goes under the heading of Faking It, which has been in the news a lot lately (I assume everybody has heard about The Salt Roads thing): and here are a couple of furthe instances:
(This one is rather beautifully recursive) What if every artwork you’ve ever seen is a fake?:
Many years ago, I met a man in a pub in Bloomsbury who said he worked at the British Museum. He told me that every single item on display in the museum was a replica, and that all the original artefacts were locked away in storage for preservation.
....
Later, Googling, I discovered that none of what the man had told me was true. The artefacts in the British Museum are original, unless otherwise explicitly stated. It was the man who claimed to work there who was a fake.
This one is more complex, and about masquerade and fantasy as much as 'hoax' perhaps: The schoolteacher who spawned a Highland literary hoax
This is not so much about fakery but about areas of doubt: We still do not understand family resemblance which suggests that GENES are by no means the whole story.
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Reading adventures
About a month ago, I tried to read some 911 fic from
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A couple of weeks ago I saw a post on Tumblr that said something like, paraphrased, "There's a very popular notion that in the past all literature was good quality compared to now, but that's not true. This is survivorship bias. The stuff we still know and read in the present day is the good stuff, but a vast quantity of bad and mediocre stuff is lost to time." Someone responded by linking to The Westminster Detective Library, a project investigating the earliest history of the detective fiction genre. Apparently the professor who began it was initially inspired by a conviction that Poe's Murders in the Rue Morgue was not actually the first detective short story based on features of its writing which in his opinion betrayed the signs of a genre history. The website contains transcribed public-domain detective fiction that was published in American magazines before the first Sherlock Holmes story's publication. I have been enjoying reading through it chronologically since I read the post. Reading in one genre is a bit like reading in one fandom, and reading very old fiction has several special points of interest to me because I love learning about history and culture in that way. Of course on the minus side, it isn't gay. But I'm getting fascinating glimpses of the history of the genre and the history of jurisprudence in both America and Britain. And although there is definitely mediocre and "sub-mid" writing published in the periodicals of the 18th-19th centuries, awash in silly cliches and carelessly proofread if at all, they are still slightly more filtered for legibility and literacy than the experience of reading modern fanfiction (even, as mentioned in the last paragraph, from recs lists and bookmarks, unless you have a supply of trusted and well-known reccers to follow. I sometimes come near tears remembering the days when I could always check what
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The other thing that has happened to affect my reading is that my little sister's high school best friend got engaged and invited my sister to her engagement party in Florida, which is going to be "Gatsby-themed". The 1920s is possibly my single oldest hyperfixation, dating from before the age of 10, and it's the historical period that I know and care the most about. For the past ten years or so the term "Gatsby" has, consequently, inspired me with the most intense rage and irritation, because its popularity after the movie version of The Great Gatsby flooded the internet with so much loathesomely inaccurate "information" about and imagery of the 1920s as to actually make it harder to find real information, and nearly impossible to filter out this dreck. So my sister began shopping for her Engagement Party Outfit, which is supposed to be "Gatsby"-themed, and I am the permanent primary audience for this (just as she is the permanent primary audience any time I am planning outfits or considering my wardrobe). This has led me to reading 1920s magazines online from the Internet Archive and HathiTrust - initially the middle-class fashion magazine McCall's; then also Vogue and Harper's Bazar (much more pretentious and bourgeois). I tried to branch out into interior design magazines of the same period (House & Garden and Better Homes & Gardens), but it has been harder to find scans of them. I find 1920s romantic fiction (serialized copiously in all these magazines) much less readable and enjoyable than the 1920s detective fiction which I am more familiar with (I've read plenty of it thanks to my interest in Golden Age detective stories)... but I've also learned a lot more physical and aesthetic details about women's fashion and interiors from the romantic fiction, which makes me think I perhaps need to seek out more of it.
Two more new BtVS vids!
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Title: You Oughta Know
Character/Pairing: Buffy/Faith, S4
Summary: I'm not gonna fade as soon as you close your eyes.
AO3 | DW | Tumblr
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Connexions (27)
Clorinda looked up from the letter she was perusing as Sandy entered the parlour. La, my dear, you are a late riser the morn – or, indeed, might I suppose you did not sleep at home last night? She picked up the little bell upon the breakfast table to ring for fresh coffee.
Sandy scowled at her as he went sit in the chair opposite and helped himself to a muffin.
I will not attempt, she said, to engage you in conversation until you have been fortified.
He scowled but said nothing.
Shortly afterwards came Hector with coffee and hotter muffins as well as a platter of bacon and grilled kidneys.
Clorinda continued to read her correspondence – oh, fie, here are the orphanage ladies go be troublesome yet again, I must go call on Lady Jane betimes so that we may devize some plan to rout 'em – sure I have no engagements this very afternoon –
Most unwonted! Sandy remarked, as he poured himself a third cup of coffee.
– though I go dine at the Wallaces this e’en, to bid farewell to dear Polly Fendersham and Mr Enderby. But my dear, are you now restored to waking consciousness once more, had a thought while reading a letter from Barbara Collins –
They are all well, I hope?
O, entirely, business flourishes, &C, though she misses young Una. But thinking of how well they are doing out of horseflesh over there, wondered if that young groom that fell foul of Blatchett had any notion to seeking his fortune in the colonies?
Sand raised his eyebrows and took a drink of coffee. 'Tis indeed a thought, he agreed. For quite apart from our concerns over Lady Isabella, I have come to consider that Blatchett may come to wonder what else young Oxton might have seen – even he might find a guilty conscience preying upon him from time to time – and take further measures.
La, Mr MacDonald, did you ever essay the Gothic mode? But that is a point well taken.
Let us not dilly-dally, then: I must to the godless institution this morn, but may take myself into Berkshire and Offerton’s stables to sound Oxton out later. 'Tis no great journey.
Clorinda nodded. 'Tis the wisest course. And you may mention that there is a philanthropic scheme for aiding such deserving young persons to emigrate –
There is? – Clorinda smiled – Ah.
So that was one piece of good work dispatched, or at least, well in hand, so early in the day, very gratifying!
But she must look into the matter of the orphanage – alas, dear Dumpling Dora Pockinford had been sadly distracted of late – even had the Honble Simon pulled round from those shocking ways of which the Pockinfords did not speak but of which Clorinda had heard from Josh, that had prevented the boy from laying violent hands upon himself, it must fret a mother that he was now going so distant, and doubtless she imagined all sorts of perils. 'Twixt that, and first Aggie and now Thea showing religious leanings that were anathema to Lord Pockinford’s Evangelicalism, that family was not at its most harmonious. And her deputy, her daughter-in-law Lady Demington, only very lately returned from recovering her heath in Harrogate.
'Twas no wonder matters were somewhat awry!
So Clorinda gathered up the necessary papers – the Matron at least was a good businesslike woman! – and had the horses put to the carriage to take her to that quiet and unfashionable but perfectly respectable neighbourhood where Lady Jane had her apartments, adjacent to those of Amelia Addington. Looking out of the carriage window, Clorinda saw signs that these streets were coming up, 'twas no wonder, were convenient for a deal of matters.
Nick Jupp handed her down, and said he would take the carriage round to the King’s Head and tend to the cattle there –
And I hope you will tend to yourself and take a mug of ale or so!
She was rather surprized, on entering Lady Jane’s sanctum, to find the place in a considerable bustle of company – there was Janey Merrett, and Amelia, and, why, Viola Mulcaster – 'twas quite the family gathering –
But also, over at the pianoforte, that Lady Jane was finding her fingers rather too stiff to play herself these days, but that Janey came to play to her quite frequent, Zipsie Rondegate and Thea Saxorby.
Lady Bexbury! cried Lady Jane, beginning to rise, as Clorinda besought her not to do so. I have a rare treat brought to me the day. Lady Rondegate has been rehearsing Lady Theodora in dear Grace’s settings of Sappho’s lyrics – lately turned 'em up among some papers sent from Nitherholme – Miss McKeown had copies –
But how charming! said Clorinda, taking a chair. One must suppose that dear Viola must have had somewhat to do with this – showed very well in her, when one recalled her own disastrous history with those songs, as a very young woman just out in Society.
Zipsie waxed very effusive about the songs, to Lady Jane’s perceptible gratification. O, she said, I must have been in some concern that they would be considered sadly old-fashioned – not to mention the work of an amateur hand –
Not in the least, declared Zipsie, showed 'em to Uncle Casimir and he wondered was there any other compositions of hers surviving.
That was praise indeed!
So after some preliminary exercizes, Zipsie and Thea commenced upon the recital.
O, though Clorinda, that one might prevail upon Thea to perform at one’s drawing-room meetings, if not at a soirée. Such a voice. Not, perchance, these songs – mayhap somewhat unsuited to the taste of the present day? – one supposed Thea was ignorant of the life of the poet –
Tears were running down Lady Jane’s face, a most unwonted event.
Amelia Addington was an actress, and capable of keeping in character whatever disasters were going forward on stage or in the wings or even was there a riot in the audience – yet to Clorinda’s eye of old acquaintance, there seemed an air of – of distress?
The song became silent.
O my dears, said Lady Jane, blowing her nose, you have given me a great gift. I never thought to hear those songs again, and you performed them exquisitely.
Clorinda stood up and said, did not wish to be uncivil, but saw that they were about to engage in deep musical converse, and collected that she needed to talk to Miss Addington about a drawing-room meeting, might they step aside for that?
She drew Amelia out into the corridor, where the actress sank her head onto Clorinda’s shoulder and burst into tears.
Dearest Amelia, she said as she put an arm about her, you should not think that she loved who His Grace always refers to as that jealous Billston hag more than you – she remembers, doubtless, happy times of youth but that is very much about those years –
O, sobbed Amelia, it is not that. It is that I think of how ephemeral my own art is. I strut and fret an hour upon the stage –
Things were very bad was she quoting the Scottish play! Clorinda made certain gestures learnt in her youth backstage.
– and 'tis gone. Mayhap a critic will remark upon me in a newspaper, that will then wrap fish.
And you have taught a deal of generations of other actors. I daresay in Sydney there is Orlando Richardson saying, Addington did thus and so – I remember how Addington directed this scene – you will never come up to Addington in that role –
She gave a weak giggle.
– in New York I daresay Charlie Darcy reminisces, though careful to add that of course, his wife is in a very different style – would that one might see the pair of you together on stage –
Amelia mopped her eyes and blew her nose.
– And one dares imagine that in heaven the great dramatists gather round and debate the rival virtues of your performance and that of Mrs Siddons in their great roles.
You flattering weasel! she exclaimed.
Is it not a vocation to bring those works to life?
The two women embraced and Amelia said sure she was being very foolish. And mayhap the late Miss Billston had had a pretty talent but she had led poor Lady Jane a sad dance – jealous scenes, and then getting up flirtations herself when they went into Society – and making a deal of her poor health –
Clorinda stroked her hair and said that Lady Jane had been young – only just coming into the understanding of her nature – in maturer years she had made a wiser choice –
She will even say as much, Amelia admitted. Let us go in, and make sober compliments to the performers.
They discovered Lady Jane quite exhorting Lady Theodora to consider upon the Parable of the Talents – and what is that fine passage from the Bard that you are wont to quote, Lady Bexbury, about not concealing our virtues but letting them shine forth?
Thea was blushing, and murmuring that mayhap she should think upon that.
So Clorinda went away, having agreed upon a further rencontre to talk orphanage, feeling that that had been an agreeable occasion and that mayhap Thea would come about to let her virtues go forth of her.
And now there was going to dine with the Wallaces, that had been wont to be an entire pleasure but had been constrained for many months by the louring presence of Lord Fendersham.
However, on her arrival she was greeted with positively giddy glee by Sir Barton and Susannah Wallace, as well as Bobbie and Scilla, conveying the very happy news that Fendersham was finally ceasing to be the prodigal father and returning home to take up his responsibilities.
Has been all day about settling various of his affairs – his valet about packing – takes a morning train –
So even though we are saddened to have dear Lady Fendersham going away for who knows how long, said Susannah, flourishing her lorgnette, we cannot be other than merry at this prospect.
Well indeed, thought Clorinda, wondering how it had come about. Had been quite unable to fathom how she herself might contrive such an end!
Later that night, darling Leda giggled and said, la, did Clorinda take a pet that some other hand had wrought this?
At which she laughed herself and said, was heartily glad that there were other hands that might undertake these burdens.
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Another Murderbot TV fic, Temperature Flash, and Hurt/Comfort-Ex
Echoes (gen, 2500 words, Gurathin-centric)
Summary redacted because of spoilers; basically Gurathin's POV on some of the events of the finale.
A few notes on the fic (spoilery for both fic and episode):
under here
• I kept tweaking Gura's final line to Murderbot, so it might be a bit different if you read an earlier version. (I felt like I needed to soften it from how it originally was. They are hard to write! Especially keeping their edge when they're so soft in the final scene.)• We know Murderbot has trouble figuring out what it's feeling, but I also think it's very plausible that Gurathin has the same problem, if not as badly. He's repressed so much for so long. Asking himself to identify exactly what emotions he's feeling is something that some therapist or other taught him to do.
• This is not necessary context for the fic and it's entirely subject to interpretation, but what I was thinking when it wrote it is that Murderbot using "its" for augmented humans in its last line of dialogue to Gurathin is actually MB doing roughly the same thing (except more emotionally positive) that Gurathin is doing in the episode of the show where he's arguing with Mensah and calls it "he" and then corrects himself to "it." It's over-identifying and doesn't even realize that it's doing so; I mean, it's worried about Gurathin, obviously, and that's why it's here, but there's also a certain amount of "we are the same kind of creature" going on here, even though it doesn't realize it's relating to him on that level. It knows that he might have damaged himself with the data overload because it also knows that it might damage itself in a similar way, and he has much less storage to handle it. And it's just kind of subconsciously being concerned about him as it might be concerned about a fellow construct, or itself, having taken damage. Of course neither of them parses all of that consciously.
In other events, Terrible Temperature Troubles Flash Exchange revealed gifts tonight! I got two absolutely delightful gifts - An Official Complaint Against the Universe (Babylon 5, Vir & Londo, hypothermia and h/c) and Consequences of Cold (Biggles, Biggles/EvS, snuggling when chilled). I loved them!
And finally,
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"not only can live outside those systems, I can thrive as who I am."
I see so much of myself in this person's life! I knew they were my age before they said, just from their description of junior high.
And of course so much is different too. I wish I could write anything as good as this.